Registering Music Copyrights (for Non-IP Attorneys)

This course explains the various ways that music copyrights and copyrights in sound recordings can be registered in the United States, with demonstrations of the process for each kind of application. 

Part I provides information about the registration process and the meanings of critical terms you will need to know. This includes key concepts such as derivative work, work made for hire, publication, deposit, and best edition. Preregistration, adverse claim registration, filing methods, and fees are also covered. 

Part II lays out the eligibility requirements for each kind of application form -- the Single application, the Standard Application, Group Registration of Unpublished Works (GRUW), and Group Registration of an Album of Published Musical Works and/or Sound Recordings (GRAM). The GRAM application is new in 2021, and offers a way to save hundreds, potentially over a thousand dollars in filing fees. The course instructor, attorney Thomas James of the Law Office of Tom James also discusses registration of a group of songs as a collective work, the advantages and disadvantages, and the risks. 

Part 3 describes what happens, or can happen, after you file. Here you will learn how long you can expect to wait, how long you have to respond if the Copyright Office contacts you about an application, how you can challenge a denial of registration, and some things to consider before you do.

Finally, there is a concluding segment on Declarations of Ownership in Musical Works (DOMWs) -- what they are, when you should file them, how to complete them, and how and where to file them. 

1.5 Standard CLE credit approved in Minnesota (Event Code 404311)

$40. 

ON-DEMAND CLE: Click here to register